Theater

  • The War Within/All's Fair takes on workplace absurdities

    Play's strength is of-the-moment jokes and observations

    By Ed Huyck

    Looking around the stage last weekend at the Southern Theater, I had a sense of anticipation ahead of The War Within/All's Fair. Decades of... More >>

  • Are You Now or Have You Ever Been... at the Guthrie

    A great portrayal of Langston Hughes

    By Ed Huyck

    Early on in Carlyle Brown's exploration of Langston Hughes and his testimony before the Senate Permanent Subcommittee of Investigations (the... More >>

  • Doubt at Park Square Theatre

    Priest and nun square off over molestation accusation

    By Ed Huyck

    Befitting a play about the slippery nature of the truth, the title of John Patrick Shanley's Pulitzer Prize-winning play can be taken in multiple... More >>

  • Learn to Be Latina at Mixed Blood Theatre

    This equal-opportunity offender goes for the comic throat

    By Ed Huyck

    The new millennium has the Arabs. The '80s had Central Americans. The '90s had Wilson Phillips. Every decade has its own version of terror. "Oh,... More >>

  • Spring Awakening at Theater Latte Da

    Show is full of energy and movement

    By Ed Huyck

    Confined by the rigid constraints of their middle-class, 19th-century community and confused by the new sensations and emotions they are feeling... More >>

  • The Birthday Party at Jungle Theater

    Bringing out the humor and the menace in Pinter's play

    By Ed Huyck

    The first thing you have to keep in mind when examining Harold Pinter's work, especially an early work like The Birthday Party, is that you are... More >>

  • What's the Word For at Illusion Theater

    A nurse and longtime patient face wrenching decisions

    By Ed Huyck

    Jeffrey Hatcher's spare new play is all about subtle gestures, off-screen sound effects, and things unsaid. It's about the frustration of locked... More >>

  • Werther and Lotte at the Lab Theater

    A Goethe tale of unrequited romance

    By Ed Huyck

    A piece that incorporates Goethe, Thomas Mann, and Jean-Jacques Rousseau's The Social Contract sounds like an assignment from my high school... More >>

  • Edith Can Shoot Things at Mu Performing Arts

    Three children forced to raise themselves

    By Ed Huyck

    You might think that living all alone out in the country, away from the crowds and traffic and noisy bustle of modern America, would be a chance... More >>

  • The Story of My Life at Illusion Theater

    Analyzing the end of a long relationship

    By Ed Huyck

    On an all-white set that is quickly revealed to be the inner mind of best-selling writer Thomas Weaver, Neil Bartman and Brian Hill's The Story... More >>

  • The Birds at the Guthrie

    Play is really nothing to crow about

    By Ed Huyck

    In the program notes for The Birds, playwright Conor McPherson talks about his youthful love of George A. Romero's zombie movies. It's an easy... More >>

  • Beautiful Thing at the Lab Theater

    Gay drama merged with music of Mama Cass

    By Ed Huyck

    Jonathan Harvey's Beautiful Thing is set just two decades in the past, but it seems to be a whole different world. There are no cell phones or... More >>

  • Buzzer at Pillsbury House Theatre

    Delving right into thorny issues of race

    By Ed Huyck

    Politics onstage without a human, emotional core can turn into a boring polemic. Marry the two, however, and you can lead the audience into... More >>

  • Crashing the Party at Mixed Blood

    Poking and prodding the tender American psyche

    By Ed Huyck

    If the American Dream is dead, then the characters in Crashing the Party, the world-premiere comedy by Josh Tobiessen at Mixed Blood, are picking... More >>

  • End of the Rainbow at The Guthrie

    Judy Garland bio sticks to the surface

    By Ed Huyck

    Like a proto-rock-star, Judy Garland became as famous for her offstage antics as for her singing and acting chops late in her life. Still beloved... More >>

  • Park Square's Ragtime tones it down, finds heart

    Employing a less-is-more approach

    By Ed Huyck

    When Ragtime first premiered on Broadway in 1998, the producers tried to use spectacle to hide the deficiencies in the adaptation of E.L.... More >>

  • Cat on a Hot Tin Roof at the Guthrie

    Slow to start but offers thrilling second act

    By Ed Huyck

    The setting of Tennessee Williams's Cat on a Hot Tin Roof may be a palatial bedroom, but those four walls trap a lot of steamy heat and secrets... More >>

  • The Lion King at the Orpheum

    Play delivers on the hype

    By Ed Huyck

    The musical version of Disney's The Lion King came back to town last week to its original home at the Orpheum Theatre, with 15 years of hype... More >>

  • Three Sisters by Buoyant Theatre Collective

    Chekhov classic rebirthed

    By Ed Huyck

    It's hard to watch the plays of Anton Chekhov without thinking about the fate that was just around the corner for these often upper-class... More >>

  • Out There 2012 at the Walker

    Stage artists converge for experimental theater festival

    By Ed Huyck

    The idea of the auteur in theater—where collaboration is the name of the game—may feel a bit off, but Philip Bither, the curator of... More >>

  • Twin Cities' best plays of 2011

    Hairspray, Doubt, On the Spectrum, and more

    By Ed Huyck

    Looking back, it was a terrific year on local stages, with several new voices heard along the way and plenty of fresh examinations of classic... More >>

  • Ordway, Park Square show Cinderella, Soul of Gershwin

    Two plays for the winter season

    By Ed Huyck

    How long does it take for The Soul of Gershwin: The Musical Journey of an American Klezmer to capture the audience? A handful of... More >>

  • Charley's Aunt at the Guthrie

    Giving new life to classic cross-dressing farce

    By Ed Huyck

    Not every farce needs to be as manic as Noise's Off to work, as the production of Charley's Aunt at the Guthrie Theater proves. The classic... More >>

  • How to Cheat at Gremlin Theater

    Play featuring Randy Reyes offers no easy answers

    By Ed Huyck

    "If the world were coming to an end, one of us would get a text. Right?" asks Louisito midway through Alan Berks's intriguing How to Cheat, now... More >>

  • A Christmas Carol hits and misses at the Guthrie

    Crispin Whittell's version losing focus on Dickens's message

    By Ed Huyck

    It didn't take long for the Guthrie's lean re-creation of A Christmas Carol to start gathering a layer of fat, like a Victorian gentleman... More >>

  • Joy: A Holiday Cabaret at the Lab Theater

    Spreading happiness once audience at a time

    By Ed Huyck

    It will be hard to find a more aptly named show this year than Interact's Joy. The "holiday cabaret" provides the emotion in great waves, as... More >>

  • Center of the Margins at Mixed Blood

    Three-play festival examines disability issues

    By Ed Huyck

    Through the decades, Mixed Blood Theatre has been dedicated to creating art for and about underrepresented audiences, and that drive is clearly... More >>

  • The Ravagers at the Hollywood Theater

    Savage Umbrella retells a haunting Greek tragedy

    By Ed Huyck

    This summer, Theatre Pro Rata proved that the abandoned Hollywood Theater, an old movie house in Northeast, made an intriguing home for the right... More >>

  • The Edge of Our Bodies and Bat Boy: The Musical

    Two plays reviewed

    By Ed Huyck

    Adam Rapp can be a divisive figure, to the point that New York Times scribe Christopher Isherwood has begged off on reviewing any more of the... More >>

  • Il Campiello at Open Book

    Ten Thousand Things Theater succeeds again

    By Ed Huyck

    Ten Thousand Things Theater continues its remarkable run with Il Campiello, Steven Epp's adaptation of Carlo Goldoni's 18th-century comedy about... More >>

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From the Print Edition

<i>Compleat Female Stage Beauty</i> recalls theatrical battle of the sexes Compleat Female Stage Beauty recalls theatrical battle of the sexes
By Ed Huyck

There's always a danger in putting moments from a classic play in your own work. I'm sure the last thing playwright Jeffrey Hatcher wants while audiences watch Compleat Female Stage… More >>

<i>The View From Here</i> at Nautilus The View From Here at Nautilus
By Ed Huyck

At first, Timothy Huang's chamber musical is a comedy about a painfully naive aspiring author who has moved to New York City to find a home for his book. He's… More >>

<i>The Amen Corner</i> at Penumbra The Amen Corner at Penumbra
By Ed Huyck

The questions that swirl at the center of The Amen Corner — about faith, sin, redemption, and hope — haven't changed since James Baldwin wrote the piece 60 years ago,… More >>

<i>The War Within/All's Fair</i> takes on workplace absurdities The War Within/All's Fair takes on workplace absurdities
By Ed Huyck

Looking around the stage last weekend at the Southern Theater, I had a sense of anticipation ahead of The War Within/All's Fair. Decades of watching work crafted by Dominique Serrand… More >>

<i>Are You Now or Have You Ever Been...</i> at the Guthrie Are You Now or Have You Ever Been... at the Guthrie
By Ed Huyck

Early on in Carlyle Brown's exploration of Langston Hughes and his testimony before the Senate Permanent Subcommittee of Investigations (the Joseph McCarthy-led anti-communist witch hunt of the 1950s), the poet… More >>

<i>Vasa Lisa</i> at Open Book Vasa Lisa at Open Book
By Ed Huyck

In Kira Obolensky's delightful retelling of this Russian folktale, the title character goes on an adventure into the deep, dark forest to confront the witch Baba Yaga, who she believes… More >>

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