High-Intensity Moviegoing at the Toronto International Film Festival
Park Chanwook's 'Oldboy' reinvents Jacobean drama for the 21st century
Hirokazu Kore-eda's latest film sets him further apart
The world makes out all right at the International Film Festival
The Venice Film Festival gives voice to the global cacophony
The money swapping was typically dubious. The movies were surprisingly bold. A story treatment from Hollywood's mountain outpost, Sundance 2001.
What you see is (not) what you get: Twelve months of well-screened duds and rarely viewed wonders
After a summer full of multiplex fodder, the New York Film Festival provides an unpretentious showcase for arty cinema
Japanese tough guy Takeshi Kitano goes all soft in Kikujiro
The Mpls/St. Paul International Film Festival swaddles the Cities in cinema
Violent Cop and Boiling Point reveal the roots of Takeshi Kitano's bloody funny cinema
While American critics script eulogies for foreign film, this year's festival at Cannes suggests that reports of its death are an exaggeration
The movies of '98 posed the question: Haven't we seen this somewhere before?
Set it off: Takeshi Kitano in Fireworks
In 1997, independence was not a status so much as a state of mind.
Has the artsyplex boom housebroken the independent film? A partisan's manifesto.
The New York Film Festival's new New Wave--and the industry's same old neglect.