Tittsworth talks to Gimme Noise before his first-ever visit to Minneapolis tonight.
People with personal-space issues: meet your nightmare
Fickle major labels, lethargic production schedules, desensitized index fingers--nothing can slow John Munson down
How to remake the New York Film Festival's arthouse esoterica for the midwestern megaplex
The naked truth about putting together a regional showcase like the Minneapolis/St. Paul International Film Festival. And a revealing body of blurbs about the best and the not-best of the fest.
Taiwan's Yi Yi (A One and a Two...) is a more inclusive family drama than Hollywood's universal pictures
What you see is (not) what you get: Twelve months of well-screened duds and rarely viewed wonders
While Western art cinema draws the flashbulbs at Cannes, contemplative works from China, Taiwan, and Hong Kong leave the festival glowing in klieg lights from the East
Hou Hsiao-hsien's trademark is his cinematic search for a Taiwanese identity
Happy Together and Vive L'Amour find the films of Hong Kong and Taiwan in the throes of a sexual revolution.
In two new works, Sarah Skaggs and Morgan Thorson break down the wall between concert dance and club culture.