From horror and documentaries to indies and comedies, this year will be big in film
A look ahead at the season's hottest films
Inside: Jungle Theater, Trylon microcinema, Chris Baker, and Solo 1x2
A guide for taking the guesswork out of MSPIFF
Minnesota filmmakers remember the warm-weather flicks that got them hot (or bothered)
Reeling from holiday fare, a movie reviewer goes head to head with his id
Nomad Steven Foley travels far with a film about wanderlust
Punch and Judy's grandparents; Lincoln and Booth meet again
The new 'People I Know' is so old-fashioned it's already gone
Twin Cities filmmaker Ayesha Adu does dogme without didacticism
Todd Haynes brings his love for Douglas Sirk to 'Far From Heaven'
A New Compilation Rouses D.C.'s Funk Scene
After September 11: Projecting the future of entertainment at the New York Film Festival
An Oak Street retrospective pulls us back to the flashy days of Eighties cinema
Series 7 dares to make us care about reality TV
Pearl Harbor is a Bay that will live in infamy
How Prince's revolution was won--and where it got him
Moshen Makhmalbaf's euphoric cinema reaffirms the basic beauty of life
A one-man show captures the complications Huey P. Newton faced in trying to walk like a Panther
How Jenni Olson founded a film festival--and became a queer cinema impresario in the process
While American critics script eulogies for foreign film, this year's festival at Cannes suggests that reports of its death are an exaggeration
Ninety-three films, three projectors, and the whole wide world
The realities of life after Marbury
Underappreciated hip hoppers the Roots put their sound together on the new album Things Fall Apart
Forget Fargo and A Simple Plan: A quarter-century ago, The Heartbreak Kid had Minnesota down cold
Movie theaters used to have majestic screens, rocking chairs, and real butter. Some still do.
Who da man? Duh, The Man: PE takes aim at white male corporate oppression
Has the artsyplex boom housebroken the independent film? A partisan's manifesto.
John Sayles's Lone Star is a soap opera of substance.
Hollywood 1996: Things are changing, and it's all the same.