Robert Bresson

Anna Karenina delivers a pretty portrait

Keira Knightley blossoms as the Russian literary heroine on the silver screen

Revival Meeting

Can rep cinema's old-time religion be resurrected in the soulless Netflix age?

The End of the Innocence

'The New World' is an old-fashioned masterpiece

The World is Not Enough

Robert Bresson found the ineffable in the ordinary

Sith City

Darkness finally falls on the 'Star Wars' saga

Last Exit To Tallinn

A Swedish director goes slumming in the former Soviet Union

Artists of the Year

Agnès From '54 to '01

French director Agnès Varda's iconoclastic oeuvre displays a feminist intelligence across six decades

Depth of Field

Another look behind the chilly surfaces of Michelangelo Antonioni's films reveals not the King of Pain so much as a well-informed sensualist

Made in Taiwan

Hou Hsiao-hsien's trademark is his cinematic search for a Taiwanese identity

The Year in Film

1999 brought a cinematic bounty to the art house and the multiplex alike

Film for Art's Sake