The Zapruder film? It was faked. The Wellstone crash? It was a hit. 9/11? An inside job. Tumbling down the rabbit hole with professional philosopher Jim Fetzer.
Joan Allen makes it look hard in 'Yes'
Taylor Hackford directs 'Ray' to drown in its own tears
In the documentary masterworks of Frederick Wiseman, ordinary people do battle with institutions--and the poetic tussles with the real
Quentin Tarantino gets medieval on our asses in 'Kill Bill Vol. 1'
The assistant director is missing. The dominatrices are talking about enemas. DIY filmmaker John Ervin is turning another dream into a movie.
Rancorous "Anti-Americanism" reigns at the 56th Cannes Film Festival
John Doe leaves his punk roots behind to sing nice little songs about shooting at cars
Spike Lee hands off to a gridiron giant in 'Jim Brown: All-American'
From escapist entertainment to aesthetic ecstasy: Twenty-nine writers script valentines to twelve months of culture
Joyce Carol Oates writes a scorching criticism of feminine ideals through the persona of Marilyn Monroe
Produced and abandoned, the made-in-Minnesota wrestling comedy The Naked Man falls into a Hollywood sleeper hold
Seeds of doubt plague a lesbian couple in their search for sperm.
With his long-delayed film Fast, Cheap & Out of Control, director Errol Morris maintains a controlling interest in our evolutionary decline.
John Derus, still smarting from his 1996 primary defeat and his misplaced election-day photo in the Star Tribune, claims state Supreme Court Justice Alan Page's ties to the Strib biased the outcome of Derus's case against the paper.
In its 50th year, is the world's most prestigious film festival showing its age?
Director Richard Linklater drives through Eric Bogosian's bleak subUrbia.
Tupac's posthumous Makaveli, along with new releases by Snoop Dogg and Dr. Dre, take gangsta rap to different ends
John Sayles's Lone Star is a soap opera of substance.