A look ahead at the season's hottest films
Clint Eastwood directs inspired snapshot
Oliver Stone's sequel lets the bad guys off easy
Anti-Chavez news coverage in the U.S. is a conspiracy, Ventura saysOliver Stone and Jesse Ventura tag teamed for a smackdown against stunned Florida GOP congressman Connie Mack last night on last Larry King Live. The topic: "South of the Border," Stone's new documentary about Venezuelan leade ... More >>
Do you have $50-$180 dollars lying around? Reserve your spot at this lecture.
Famous director assigns motive to Bush's M.O., but at this point, who cares?
Paul Haggis Directs a Flawed but Vital Film About the Emotional Toll of Iraq on a Military Family
The director of 'JFK' was plotting his latest countermyth in 2001
A toned-down Oliver Stone finds uplift in 'World Trade Center'
Air conditioning helps as sequels and remakes compete for your summer movie dollar
HBO's 'Rome' is a clever mirror of modern class warfare
A quintet of Hollywood anomalies from blockbuster season
Five examples of debased Hollywood, five beacons of hope
Oliver Stone can't revise the history of another fortunate son
'S.W.A.T.' stands for something more insidious than crime busting
Documentaries reach middle age at the Sundance Film Festival
The cinema valentines of avant-garde giant Bruce Conner
Desaparecidos watch malaise overrun America's heartland
'Black Hawk Down' Gets in and out of Somalia With No Questions Asked
After September 11: Projecting the future of entertainment at the New York Film Festival
Apocalypse Now Redux extends an epic allegory of American megalomania into the 21st Century
An Oak Street retrospective pulls us back to the flashy days of Eighties cinema
Once is never enough: Try another tryst with world cinema in week two of the Minneapolis/St. Paul International Film Festival
Hollywood's holiday menu is impeccably presented but predictably low in nutrition
The Cell gets inside the mind of its genre
Moshen Makhmalbaf's euphoric cinema reaffirms the basic beauty of life
Boiler Room is the boom era's gangster flick
1999 brought a cinematic bounty to the art house and the multiplex alike
David Fincher's Fight Club turns macho discontentment into the ultimate dick flick
Watching Seinfeld six days a week makes one long for the golden age of syndication
The afterlife cop drama G. vs. E runs up against the mortality of hipness
The Circus Is in Town: The slapstick troupe of Emir Kusturica's Underground.
In a pair of wretched new titles, Oliver Stone and Gus Van Sant show off their bookish sides--and it ain't pretty.
That's a Wrap: Wim Wenders's stars play out his biscotti metaphor in The End of Violence.
This year's New York Film Festival kept movie buffs reeling.
A critic's guide to getting away from the multiplexes.