Fire bad, movie not so great, either.
A rough and inevitably incomplete guide to the taxonomy of spoilers
Collection of short plays works best when it's personal, not political
Dysfunctional relationships abound
A sequel and remake of miserable comedy 'Happiness'
Playwright Neil LaBute orchestrates methodical takedown of his own gender
Robots vs. Fake Robots proves co-founders donÕt fear offbeat material
Racial tension lurks above and beneath the surface of Neil LaBute's movie
The top shows from a memorable year in theater
Fat Bottomed Girls, in a minor key
Nasty people take over at Mixed Blood and CalibanCo
I'm okay. You're okay. Metallica are not okay until they stop being a bunch of friggin' wimps
LaBute brutalizes us; Lonergan displays human kindness
Neil LaBute manhandles A.S. Byatt's romantic mystery, 'Possession'
A First-Time Male Director Markets His Vision to the Other Half
Or, Cannes 2001: How to love the movies without hating yourself
Solondz brings his salt shaker to another open wound; Denis makes Trouble
Neil LaBute's theater of cruelty
What you see is (not) what you get: Twelve months of well-screened duds and rarely viewed wonders
Misogynist Neil LaBute tries to be nice--and fails--in Nurse Betty
Dim efforts by Roland Joffé, the Coen Brothers, Lars von Trier, Neil LaBute, and John Waters darken the screens of the world's flashiest film fest
Them Against "They": Aaron Eckhart and Matt Malloy in Neil LaBute's In the Company of Men.