Director James Gray shows off his knack for wrapping big themes in an intimate embrace
iLove, American style
The eccentric actor returns to the screen with his most "normal" role yet
Toasting computer love, a genocide musical, and a Midwestern odyssey
The critics' picks from best film to best performers
Paul Thomas Anderson's latest film stays elusive about Scientology and everything else
The director discusses Joaquin Phoenix and researching Scientology
Red Tails, This Is Forty, and more
Casey Affleck directs while Phoenix aims to prove a point
Quit comparing it to vinyl albums. You're just being contrary.
After being sent a pack of Duluth Trading Company's "Stink Proof" underwear, Gimme Noise decides to put their product through its paces.
His Kaufman-esque turn for the sullen and bizarre scores him easy entry into Gimme Noise's hall of shame.
Because James Brown was unavailable, local music blog contacts the next best thing on the spectral plane.
Extreme overacting from Joaquin Phoenix? Preposterous!
The local label behind Vampire Hands, His Mischief and Daughters of the Sun keeps you abreast of their daily minutia.
Movie reads Miranda Rights to optimistic audiences
Tragedy piles up on Reservation Road
The Coen brothers, Gus Van Sant, Michael Moore, and Leonardo DiCaprio colonized screens at the French film fest
Hurricanes, war, avian flu, locust plagues, that annoying song you couldn't get out of your head. It wasn't the greatest of all possible years. Nor was it halfway decent. But to prove that it wasn't all bad, we asked 29 writers to rave about the ar
High-Intensity Moviegoing at the Toronto International Film Festival
Fear is the driving force at this year's Sundance Film Festival
'Biggie and Tupac' charts the hits on a notorious heavy and an urban guerrilla
'Signs' offers more hints of Mel Gibson's paternal feelings
Quills puts the viewer into bed with the sacred and the profane
A young director's body of work grows by The Yards