Elisabeth Moss as Robin Griffin in Sundance's Top of the Lake.
Two decades after the severed ear of Reservoir Dogs, Quentin Tarantino serves up Hitler's head on a plate
Leaping Thugs in a Single Bound, Our 'Brave' Leading Lady Takes Back the Night
Meg Ryan goes toe to toe with mediocrity
Electrelane get their guns, David Denby misfires, and Two Poets should be shot
Nonfiction writes the prescription in Toronto
Rancorous "Anti-Americanism" reigns at the 56th Cannes Film Festival
Three movie critics pick 21 favorites (and only one in common) from 2002.
"Women With Vision" Finds New Distaff Auteurs Getting Antsy
What you see is (not) what you get: Twelve months of well-screened duds and rarely viewed wonders
This year's Lesbian, Gay, Bisexual & Transgender Film Festival finds new queer cinema yearning to forget its affair with Hollywood
Director Jane Campion strips away her pretensions in Holy Smoke
1999 brought a cinematic bounty to the art house and the multiplex alike
Even in the Giuliani era, the New York Film Festival brings the beautiful and the blasphemous to American shores
Constricted by the social taboos of the Eisenhower era, director and master melodramatist Douglas Sirk explored the mores of more
Breaking With Tradition: Alison Elliott and Helena Bonham Carter in The Wings of the Dove.
Holding Court: Jessica Lange, Michelle Pfeiffer, and Jennifer Jason Leigh in Jocelyn Moorhouse's A Thousand Acres.
Jane Campion plays with mirrors in her adaptation of Henry James's Portrait of a Lady.
The view from here to Scotland, Hong Kong, and Fargo
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