It's like skateboarding without the skateboard
Harald Zwart hasn't done anything new here
You've got 10 bucks and two hours, and you don't want to waste any of it. We can help.
The Twins' third baseman finds everyday singles banal and commonplace.
Rings of fire and glitter cannons? Who could compete with that? Brit Brit spent her Target Center performance eclipsed by an embarrassment of riches.
'Rush Hour 3' is a guilty pleasure
Your guide to the season's hottest films (and the other ones, too)
The Plastic Constellations discuss manpiles, drinking games, and the best spring break ever
Is David Thomson the world's greatest film critic?
Screwing the white guy and dancing with the devil: Race matters at the 40th annual New York Film Festival
An experimental hip-hop duo that's not just for horn-rimmed white boys
Audiences chew on a film-fest twofer: Central Standard's indie films and Sound Unseen's musical movies
Steven Soderbergh Pumps Up the Volume of Stars in 'Ocean's Eleven'
Martin Short's bloated talk-show parody, Primetime Glick, lacks an appetite for destruction
Jet Li crosses over from China but comes on cold in Kiss of the Dragon
Once is never enough: Try another tryst with world cinema in week two of the Minneapolis/St. Paul International Film Festival
What you see is (not) what you get: Twelve months of well-screened duds and rarely viewed wonders
True West brutalizes its actors; Impossible Marriage lightly lashes its audience
While Western art cinema draws the flashbulbs at Cannes, contemplative works from China, Taiwan, and Hong Kong leave the festival glowing in klieg lights from the East
Director John Woo's Mission is made next-to-impossible by Hollywood operatives
Defying American convention, HK film star Sammo Hung throws his heft at network television
Nine scenes from the lives of new Minnesotans
The new Batman has nothing on the Hong Kong action of God of Gamblers 3
Chungking Express changes the tempo of pop cinema.
Makers who mattered in 1995