Survey says: Get over to Mall of America.
Slug and Ant will make their way through Europe and back across the US.
Local music blogger muses absently on Hollywood's misuse of our greatest fictional technology.
Independent films went south, but thank the Knight for the blockbuster
Full of itself and not half as funny as it thinks it is, Hamlet 2 is simply tragic
The starvation diet of television in July
Swarming with Paparazzi, Sundance Wonders, 'Where's the Media?'
My adventures (so far) in the screenwriting trade
Thirty summers after Jaws attacked intelligent filmmaking, the question remains: Why are the movies so bad? A search for answers with David Thomson
Five examples of debased Hollywood, five beacons of hope
Film as a weapon in a time of war: Minneapolis/St. Paul International Film Festival coverage.
Documentaries reach middle age at the Sundance Film Festival
A bloody new Grand Theft Auto upsets the social order
'Real Women Have Curves' adds weight to the immigrant chick flick
Screwing the white guy and dancing with the devil: Race matters at the 40th annual New York Film Festival
The radical truth emerges in a new Hollywood history
Peter Bogdanovich loses it at the movies with 'The Cat's Meow'
You don't schmooze, you lose: Local filmmakers pan the D.L. Mabery Awards
Dolores del Rio Spent Hollywood's Good Fortune on a Respectable Career
How much worse can Modern Rock radio get? You have no idea...
The Jungle Theater's Silver Lake skewers the lot of the self-hating screenwriter
While Western art cinema draws the flashbulbs at Cannes, contemplative works from China, Taiwan, and Hong Kong leave the festival glowing in klieg lights from the East
Connecting the X's of Hollywood Squares reveals a queer lineage
Slug's love bug, Kat Bjelland's exorcism, Dave Pirner's throbbing shins: Ten years of local music served on ten great platters.
How does Hollywood suck? Fox's Action counts the ways.
Constricted by the social taboos of the Eisenhower era, director and master melodramatist Douglas Sirk explored the mores of more
Terry Gilliam's fantastic dreams do battle with the Hollywood nightmare
Whoopi Goldberg takes center stage (square) on the new Hollywood Squares
Has the artsyplex boom housebroken the independent film? A partisan's manifesto.
In the Company of (Little Green) Men: Jodie Foster in Robert Zemeckis's Contact
In its 50th year, is the world's most prestigious film festival showing its age?
Hollywood 1996: Things are changing, and it's all the same.