Doc-Maker Don McGlynn Draws the reclusive 'Spider' out of his web
'The Truth About Charlie' appears inconclusive
'Full Frontal' teases us with promises of sex, lies, and videotape
With A.I. Artificial Intelligence, Steven Spielberg tries to rescue the world's most elusive filmmaker from an unhappy ending
Or, Cannes 2001: How to love the movies without hating yourself
French blockbuster maker Luc Besson delivers his non-awaited director's cut of The Big Blue
Moshen Makhmalbaf's euphoric cinema reaffirms the basic beauty of life
Director Eric Rohmer tells his Autumn Tale--and a seasoned critic turns the page
"The Complete Truffaut" polishes the reputation of French cinema's perpetual adolescent
While American critics script eulogies for foreign film, this year's festival at Cannes suggests that reports of its death are an exaggeration
Sound + Vision: A new generation of DJs and musicians play cut 'n' paste with film history.
Movies in 1995 didn't completely suck--assuming you knew where to look.
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