The Guthrie's new show is a well-crafted failure
Nick Carraway shoulders the weight of a great big theater. Could he just give a speech instead?
Arthur Miller's 'Resurrection Blues' nails society's sins
With divine performances and kooky cosmology, the second part of Angels in America descends on the Pillsbury House Theatre
Two big names bring passion and star power to the Guthrie's Who's Afraid of Virginia Woolf?
Laila Robins turns the Guthrie's Hedda Gabler into a character study of social sadism
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