The god who wanted jeans
Yes, there’s sex. There’s also passion—and its absence.
Robert DeNiro, Diane Keaton do themselves an injustice in misguided comedy
The iconic director emerges with one of his most ambitious films yet, Django Unchained
The critics' picks from best film to best performers
Depraved 1971 Australian grind-house flick gets a loving restoration
Expansive and breathtaking, the French movie re-creates film history through one man's shape-shifting adventure
The filmmakers discuss the obstacles of bringing their art to the screen
Studio films "just aren't for me—comic book characters, video games, idiotic rom-coms," the director says.
Film elevates Turkey's leading filmmaker
Red Tails, This Is Forty, and more
Three films off the beaten path
Two decades after the severed ear of Reservoir Dogs, Quentin Tarantino serves up Hitler's head on a plate
A jury divided unites around Laurent Cantet's schoolhouse drama
Reflecting its moment, Cannes 2008 takes a decidedly serious tone
Hou Hsiao-hsien's tale of a lonely mother and son takes flight
The Oscar-winning filmmaker weighs in on America's health care system
Your guide to the season's hottest films (and the other ones, too)
This year's Cannes Film Festival offered treasures from Russia, Mexico, Romania, and China
The Coen brothers, Gus Van Sant, Michael Moore, and Leonardo DiCaprio colonized screens at the French film fest
American pop goes bang at the world's sexiest film festival
An absentee father seeks nursing in 'L'Enfant'
Rancorous "Anti-Americanism" reigns at the 56th Cannes Film Festival
The same old auteurs, profound political films, and baffling Brits
Or, Cannes 2001: How to love the movies without hating yourself
A look at celebrated cinema raises questions about the purity of its essence
Solondz brings his salt shaker to another open wound; Denis makes Trouble
French blockbuster maker Luc Besson delivers his non-awaited director's cut of The Big Blue
While Western art cinema draws the flashbulbs at Cannes, contemplative works from China, Taiwan, and Hong Kong leave the festival glowing in klieg lights from the East
While American critics script eulogies for foreign film, this year's festival at Cannes suggests that reports of its death are an exaggeration
Ameri-Cannes: Screening the Yanks
In its 50th year, is the world's most prestigious film festival showing its age?