Playing evil is more fun than playing good anyway, right?
Tina Fey's great, but not enough to save this film
Will Beall's transition from detective to Hollywood's A-list
As Universal Soldier 4 attests, death and gore on screen have never been better -- or more reckless
A celebrated auteur's sideways glance meets a rare hard look
Elastica's punk comeback makes something out of saying nothing
The democratic comedies of Preston Sturges give uncommon words to the common man
A critic's guide to getting away from the multiplexes.
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