Has any voice been done worse by production than Bob Mould's? In retrospect, the best thing about his 2005 return to guitar rock after an electronica sidebar was the Auto-Tune exception so many fans hated, "(Shine Your) Light Love Hope," which abstracted his unique pipes into an instrument of pure strobe pop, proving how indifferent his melodic instincts are to style. Mould's catharsis either sneaks up on you or doesn't, in any mode, and fans hang on for that off-color chord change that will suddenly open up new worlds and bring... More >>>