Matt Pike's transition from the diabolical sludge of '90s doom-metal overlords Sleep to the stoner-thrash hybrid of High on Fire has been one of the most underappreciated second acts in rock. Diehards know the score, and High on Fire have maintained the same indie-crossover attention that greeted split-7-inch cohorts like Mastodon and Baroness, but their dozen-plus-year discography has all the evidence you need of their power-trio mastery, whether or not you care about the fact that they cut an album with... More >>>