Michele Gillman stands over an analog mixer and two turntables, mixing and scratching Bach's "Clavier Concerto in D Minor" and Beethoven's "Egmont Overture" into a cacophonous mess. Watching the bespectacled, mad scientist-like Gillman, a musicologist with a doctorate in music composition, destroy the classical world's cherished works is like watching a hippie assault his beloved baby-blue VW van at a... More >>>