Albeit reliably essential to veteran substance seekers at Sundance, the fest's documentary lineup is never totally immune to the celebrity scopophilia that afflicts the bulk of fiction fare at this purported showcase for independent film. Indeed, as a measure of how much E!'s high-powered spotlight has brightened the thematically gloomy field of specialty docs, even the avowedly alternative Slamdance kicked off this year with a star-struck survey of the '70s' New Hollywood--"based" (in name only, alas) on Peter... More >>>