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  • Article

    The Autumn Leaves: Treats and Treasures

    The Autumn Leaves Treats and Treasures Grimsey SOMETIME AROUND 1965 or 1966, there was an idyllic slice of American garage-band history typified by kids who'd just discovered hallucinogens but still had short hair. If that era ever existed, D...

    by Simon Peter Groebner on October 29, 1997
  • Ousia: Why Is That a Four?

    Article

    Ousia: Why Is That a Four?

    Ousia Why Is That a Four? UltraModern "VASSEL MYLER" AND "Architects of Fear," from Ousia's near-impenetrable debut, take wicked drum'n'bass rhythms and bury them deep in walls of distortion and oceans of ambient opacity. Electronic music's f...

    by Jon Dolan on October 29, 1997
  • Fat Boy Slim: Better Living Through Chemistry

    Article

    Fat Boy Slim: Better Living Through Chemistry

    Fat Boy Slim Better Living Through Chemistry Skint/Astralworks AS ELECTRONIC-HUH? MOVES further away from the dance floor and deeper into the experimental sound lab, a concerted masses-are-asses mentality is fomenting among the same types wh...

    by Jon Dolan on October 22, 1997
  • Article

    Aphex Twin: Come To Daddy

    Aphex Twin Come To Daddy Sire AFTER LISTENING TO the eight episodes of pure sonic psychosis that make up Come to Daddy, it's hard to believe that Cornish bedroom composer Richard D. James (a.k.a. Aphex Twin) was once known as a composer of am...

    by Josh Kun on October 22, 1997
  • Spring Heel Jack: Busy Curious Thirsty

    Article

    Spring Heel Jack: Busy Curious Thirsty

    Spring Heel Jack Busy Curious Thirsty Island/Trade 2 GROOVIN' ON THE new Spring Heel Jack record is like trying to do the funky chicken at the firebombing of Dresden. On Busy Curious Thirsty the U.K. drum'n'bass duo shred like the funkiest no...

    by Jon Dolan on October 22, 1997
  • Article

    Apollo Four Forty: Electro Glide In Blue

    Apollo Four Forty Electro Glide In Blue Stealth Sonic/Epic APOLLO FOUR FORTY crafts a drum'n'bass that's unambitious, and all the better for it. Their new LP Electro Glide in Blue is filled with stock samples and busy breakbeats, and they see...

    by Francis Hwang on October 22, 1997
  • Two MTV Mixers

    Article

    Two MTV Mixers

    various artists MTV's Amp Astralworks/Caroline various artists MTV's Grind: Volume One Tommy Boy IT IS A fundamental assumption held by aesthetic elitists and, well, Marxists, that records such as these are calculated rip-offs, hornswog...

    by Jon Dolan on October 22, 1997
  • Scott Walker: Tilt

    Article

    Scott Walker: Tilt

    Scott Walker Tilt Drag City IN 1929, SPANISH symbolist-poet Federico Garcia Lorca wrote, "Look at the concrete shapes in search of their void/Lost dogs and half-eaten apples/Look at this half-eaten fossil world, with its anxiety and anguish/a...

    by Laura Sinagra on October 15, 1997
  • Common: One Day It'll All Make Sense

    Article

    Common: One Day It'll All Make Sense

    Common One Day It'll All Make Sense Relativity IN THIS DAY and age, indicting a rap artist for gratuitous braggadocio is akin to faulting a jazz soloist for free-form improvisation. Folks should know by now that self-promotion is fundamental ...

    by James Diers on October 15, 1997
  • Modest Mouse: The Lonesome Crowded West

    Article

    Modest Mouse: The Lonesome Crowded West

    Modest Mouse The Lonesome Crowded West Up TAKING A LOOK over Modest Mouse's deep discography, one starts to wonder whether these Seattle boys have ever had "real" jobs. This is their second LP (and their second one to clock in around 70 minut...

    by Jessica Hopper on October 15, 1997
  • Barbara Manning: 1212

    Article

    Barbara Manning: 1212

    Barbara Manning 1212 Matador BARBARA MANNING WOULD make a hell of a baby-sitter. She can sing a line such as "there's nothing to grow up for anymore" like she's lulling a newborn babe to sleep. When she yells, "Evil! Evil!" it's easy to envis...

    by Michaelangelo Matos on October 15, 1997
  • Article

    Three For All

    SCORE ONE FOR El Nio: When quality local music rains, it pours. Several notable CD-release fetes are going on this weekend. At the top of the heap is a party thrown by February, who on Saturday proudly unveil their finest recorded moment, Tomorrow...

    by Simon Peter Groebner on October 15, 1997
  • Music of Chance - Keepin' It In Da Family: St. Paul-based free-jazz collective the Mafia prepares for a hit.

    Article

    Music of Chance - Keepin' It In Da Family: St. Paul-based free-jazz collective the Mafia prepares for a hit.

    "AT THE TURF Club a couple of weeks ago, we set up a lamp, and Ethan got this huge atlas from the library and set it by a chair on the stage." So explains Sharon Baker, bassist for local free-jazz outfit the Mafia. "That was the 'time out' chair," ...

    by Christina Schmitt on October 15, 1997
  • Article

    There's a Griot goin' on

    WHAT WOULD HAPPEN to hip hop if the beats that surround it like the earth's atmosphere were suddenly ripped from the music's foundation? What you'd be left with is thought--thought that gets verbalized. Call it freestylin' if you can't let it go. O...

    by Keke Zulu on October 8, 1997
  • R.I.P. Indie Rock, 1990-1996

    Article

    R.I.P. Indie Rock, 1990-1996

    various artists What's Up Matador Matador SAYS MY EDITOR: "No one will ever give a fig about indie rock again, mark my words. Zero figs. It's all gonna be black or electronic, or both, or Jewel or all three. The whole honky lot will return to...

    by Jon Dolan on October 8, 1997
  • Article

    Border Beats

    Control Machete Mucho Barato Polygram Discos Molotov Donde Jugaran Las Nias Surco Fists in the air: symbols of the movement, el charro is ready, the machete, the beginning --"Unete Pueblo" by Control Machete UP UNTIL A couple of mo...

    by Josh Kun on October 8, 1997
  • Jon B / Usher

    Article

    Jon B / Usher

    Jon B Cool Relax Yab Yum/550 Music Usher My Way LaFace BABYFACE IS THE most influential force in commercial soul music since Berry Gordy because he loves women--and the female part of himself--so completely that it permeates every flawl...

    by Britt Robson on October 1, 1997
  • Oasis: Be Here Now

    Article

    Oasis: Be Here Now

    Oasis Be Here Now Epic MY FAVORITE '90s rock image: the fade-away overhead shot of a suburban room with wall-to-wall carpet. The shot is inhabited by a (resolute? obsessed? bored? transfixed?) guy hunched over a boom box beside a clutter of ...

    by Laura Sinagra on October 1, 1997
  • various artists: Wild Style: Original Motion Picture Soundtrack

    Article

    various artists: Wild Style: Original Motion Picture Soundtrack

    various artists Wild Style: Original Motion Picture Soundtrack Rhino FIRST RELEASED IN 1983, Charlie Ahearn's graffiti-kid epic Wild Style was a potent, low-budget antidote to the faddish crop of early-'80s hip-hop films (see Breakin', Krush ...

    by James Diers on October 1, 1997
  • Article

    Stereolab: Dots and Loops

    Stereolab Dots and Loops Elektra LONDON'S STEREOLAB MAY have single-handedly turned American indie ears on to the pop possibilities of '70s Kraut rock and '60s easy listening. But their influence would've amounted to nil if they didn't rock ...

    by Peter S. Scholtes on October 1, 1997
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