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  • Genre: Drama
  • Release Date: 09/12/2008
  • Running Time: 101 mins
  • Director: Jon Avnet
  • Cast: Robert DeNiro, Al Pacino, Curtis "50 Cent" Jackson, Brian Dennehy, John Leguizamo, Carla Gugino, Dan Futterman, Donnie Wahlberg, Rob Dyrdek, Trilby Glover
  • Producer: Alexandra Milchan, Daniel Rosenberg, Randall Emmett, Rob Cowan, Avi Lerner, Jon Avnet
  • Writer: Russell Gewirtz
  • Distributor: Overture Films
  • Offical Site: Click Here
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Box Office

  1. Transformers: Revenge of the Fallen, 109.0 mil, 200.1 mil
  2. The Proposal, 18.6 mil, 69.2 mil
  3. The Hangover, 17.0 mil, 183.1 mil
  4. Up, 13.1 mil, 250.2 mil
  5. My Sister's Keeper, 12.4 mil, 12.4 mil
  6. Year One, 6.0 mil, 32.5 mil
  7. The Taking of Pelham 1 2 3, 5.5 mil, 53.5 mil
  8. Star Trek, 3.7 mil, 246.3 mil
  9. Night at the Museum: Battle of the Smithsonian, 3.6 mil, 163.4 mil
  10. Away We Go, 1.7 mil, 4.1 mil
Movie Title, Weekly Earnings, Total Earnings

Righteous Kill

Where once the decline of Robert De Niro's and Al Pacino's prodigious talent inspired howls of anguish and impassioned critical essays, it's a sad state of affairs when the best news about Righteous Kill, the cop thriller that stars them both, is that it isn't awful. New York City tough-guy detectives Turk (De Niro) and Rooster (Pacino) are investigating a serial killer who's bumping off heinous criminals acquitted by the judicial system, but suspicion soon turns to the detectives themselves. Screenwriter Russell Gewirtz's first script was another New York crime drama, Spike Lee's crackerjack Inside Man, which featured a slew of well-drawn characters as clever as the story's twists. But Righteous Kill (directed by journeyman Jon Avnet) jettisons most of the wit for macho bluster and a surprise you can see coming down the turnpike. While there's no point commenting that De Niro and Pacino are playing calcified versions of their once-great selves, at least Pacino is more reserved than usual—a welcome change. But between the film's police-procedural minutiae and trite thematic concerns (the weight of Catholic guilt, the thin moral line between cop and crook), Righteous Kill isn't so much bad as it is played out. No wonder the film's faded stars seem to fit right in. — Tim Grierson

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