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Performing Arts
Volume 23 - Issue 1116 - Theater
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Also in this Issue
More Theater Articles
  • The History Lesson Events get the better of 'Sisters of Swing' and 'Partitions' (Apr 17, 2002)
  • Loony Tunes Strange musicals about black birds and black skin (Apr 10, 2002)
  • Urinetown Roll over Sir Tyrone: The Guthrie's piss-takes and funky chickens (Apr 3, 2002)
  • The Carpetbaggers What's wrong with the "Broadway" shows that come to town in search of our fans and our fortunes? (Mar 27, 2002)
  • Curtain Call Remembering Playwright Todd Irvine; Praising Actor Edwin Strout (Mar 20, 2002)
  • Taming a Grand Dragon (Mar 20, 2002)
  • Staged Sex The Cromulent Shakespeare Co. and cheap lingerie; Family Crisis at the Pillsbury House. (Mar 13, 2002)
  • Menace to Greek Society Theatre de la Jeune Lune conjures a satisfyingly murderous Medea (Mar 6, 2002)
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Storm the Stage!

Feels like old times: The string band Pigs Eye Landing and players from 'The Parsnip County Shindig'

Image: Charissa Uemura

by Max Sparber
April 24, 2002

Every time I see a show produced by the Galumph Interactive Theater, I get a new name: This time out, the company dubbed me Frank Connally, and declared that I was a Scottish vicar. This required me to badly impersonate Sean Connery for the evening, even as I engaged in such unlikely behavior as flinging parsnips at a wooden pig, delivering stern lectures about the dangers of intemperance, and do-si-doing to old-time fiddle music. For the most part, the interactive theater movement seems to have deteriorated into affairs like Tony n' Tina's Wedding, in which the audience remains a spectator, even as they share a meal with an actor playing some exaggerated caricature. The Galumph troupe, by contrast, is determined to create a theater that is truly interactive--to the point that the audience itself is the show.

That's the case with their latest creation, The Parsnip County Shindig, which is set at a 1903 county fair in Northern Minnesota. The whole of it is overseen by a handful of professional performers in straw hats or cotton bonnets (including a string band called Pigs Eye Landing), but the show is mostly in the hands of its attendees. At the performance I attended, the audience/performers consisted mostly of regulars at the Tapestry Folkdance Center, a cosponsor of the show. This crowd proved to be a marvel on the dance floor, spinning their partners in what can only be described as a series of terrifying polkas. They also proved to be inveterate hams, clustering around a water jug marked "XX" and pretending to grow drunk as the evening wore on. Intoxicating theater, indeed.

About Max Sparber
From the Archive
  • The History Lesson Events get the better of 'Sisters of Swing' and 'Partitions' (Theater - Apr 17, 2002)
  • Loony Tunes Strange musicals about black birds and black skin (Theater - Apr 10, 2002)
  • Urinetown Roll over Sir Tyrone: The Guthrie's piss-takes and funky chickens (Theater - Apr 3, 2002)
  • The Carpetbaggers What's wrong with the "Broadway" shows that come to town in search of our fans and our fortunes? (Theater - Mar 27, 2002)
  • Curtain Call Remembering Playwright Todd Irvine; Praising Actor Edwin Strout (Theater - Mar 20, 2002)
  • Taming a Grand Dragon (Theater - Mar 20, 2002)
  • Staged Sex The Cromulent Shakespeare Co. and cheap lingerie; Family Crisis at the Pillsbury House. (Theater - Mar 13, 2002)
  • Menace to Greek Society Theatre de la Jeune Lune conjures a satisfyingly murderous Medea (Theater - Mar 6, 2002)
  • More articles from the Max Sparber Archive...
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