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Rye Coalition: On Top

Kate Silver

Published on March 13, 2002

Rye Coalition
On Top
Tiger Style

Artist versus critic. Round one. "Hey, Mr. Rock Journalist," challenges Ralph Cuseglio, opening Rye Coalition's "Born a Monkey in the Year of the Snake." "How about a taste of my fist? It's such an exciting twist to your cynic laptop wit." The sheer ferocity of this Jersey motor-punk band's guitar-grinding on their third LP On Top is enough to send any scribe cowering behind her monitor. "Tune out, you don't like that sound," he squeals, "So you read Notes From the Underground. Random access shit mouth is loud. Van Gogh's ear would be proud."

Ouch! And to add to the damage, Rye Coalition's guitar demolition packs quite a wallop. The quintet is, at heart, a tease, presenting neo-Seventies schlock 'n' roll complete with titles like "Stairway to the Freebird on the Way to the Smokey Water," and boasting more referential riffs than your standard K-tel comp-o-rama. Still, it's with enough hip-swingin', mic-twirlin' moxie that Rye Coalition remains refreshingly modern. So pay no attention to what some cynic with a computer tells you about rock's imminent revival. Just take one listen to the seven-minute working-man blues of "Freshly Frankness" ("You're my ball and chain, bay-bee," howls Cuseglio like a coyote in heat), and witness the uprising behind the followup, "Vacations." "Hey man," the artist asks in the latter. "You want some of this?" Answer: Oh, yes. Can we have round two?



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