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Twin Cities Reader Summer Books Issue - Volume 22 - Issue 1070 - Books Roundup
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Eleni Sikelianos: Earliest Worlds

by Steve Healey
June 6, 2001

Eleni Sikelianos
Earliest Worlds
Coffee House Press

"THIS (MY) BRAIN-TRUCK, a knot of numbered wasps," announces New York poet Eleni Sikelianos in her new book Earliest Worlds, and indeed these poems are diesel-powered swarms of metaphor and experimentation. Risking as much movement as they can bear (or is that bare?) without collapsing from g-force stress, the poems speed through disparate voices--"[a]ll the voices the city winds up," as the opening piece puts it. Everyone and everything can speak here, even the language itself (that is, phrases conversing with clauses), creating a world whose grammar is often bizarre and jarring.

More than just a vanguard poet, however, Sikelianos nicely avoids affectation and flat abstraction, often defying her own radical impulses. Like Stein and Beckett, she makes wild wordplay a way of life but allows some prosaic ease to flesh out her writing's tense poetic musculature.

Earliest Worlds actually contains two collections, Blue Guide and Of Sun, of History, of Seeing, and both flirt with prose in different ways. The former shuffles untitled prose-poems into the deck of sprawling, syncopated verse. The latter integrates these elements even further, moving within poems from longer, talkier lines to shorter, breathier ones. Of Sun also categorizes each piece, usually as a kind of discursive writing. Of 65 total, Sikelianos calls 31 of them "Essay," 6 "Histories," 4 "Artifact," 1 "Travelogue," and so on.

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Sound dry? Not to worry: Earliest Worlds knows how to juice things up with comedy and sex. Call me shallow, but among my favorite moments are ones like this ending to an "Epistle": "Before/I met him I never thought about butt cracks, this/is my testimony. I now know he needs a quarter so he can hide it/in there, along with the American movies."

Perhaps a more pervasive charm is the author's obsession with scientific observation and jargon. Titles like "Study: How the Palate Bones in situ Resemble the Letter L (the floor of the orbit)" echo Marianne Moore's reverence for purely physical phenomena, which lends to both poets a kind of innocent 19th-century empiricism to ground their modern skepticism. It may be best to approach the strange intricacies of Earliest Worlds with a similar willingness to simply examine particulars (words, images, etc.) before drawing theoretical conclusions. Like aspiring biologists with our first microscopes, we may discover something amazing in there.

About Steve Healey
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