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Arts
Volume 20 - Issue 959 - Arts Feature - April 21, 1999

PAGE 1 of 18

MPLS./ST. PAUL INTERNATIONAL FILM FESTIVAL
WEEK__II:__SEE__NO__DAYLIGHT

Just when you thought it was safe to go back to the multiplex...

Films:
Metroland USA
The Underground Orchestra Netherlands
Los Enchiladas! USA
Regret to Inform USA
Suckers USA
Dry Cleaning France
State of Dogs Mongolia
Journey to the Beginning of the World Portugal
The Powder Keg Yugoslavia
They Come at Night USA/ El Salvador
Home Page USA
True Moments Sweden
Opera Fanatic Italy
The King of Masks China
The Ogre Germany
Private Confessions Sweden
Rivers of Babylon Slovak Republic
The adventure continues. The ambitious second week of the Mpls./St. Paul International Film Festival features a two-day survey of digitally shot shorts and features, highlighted by the Web doc Home Page; a "Human Rights Sidebar" that examines the impact of war in Vietnam (Regret to Inform), El Salvador (They Come at Night), and Yugoslavia (The Powder Keg); an intense pair of high-profile dramas by Liv Ullmann (Private Confessions) and Volker Schlöndorff (The Ogre); the standout hometown achievement at the most recent Sundance (Los Enchiladas!); a heart-wrenching period piece from China (The King of Masks); the new comedy by former Minnesotan Roger Nygard (Suckers); the final movie to feature the late Marcello Mastroianni (Journey to the Beginning of the World); and a special screening of the Christian Bale and Emily Watson melodrama Metroland, held at Lagoon Cinema. (All of these, along with a half-dozen others, are reviewed below.)

As a reminder of whom we have to thank for this cinematic treasure trove, the annual "Minnesota Shorts Showcase" includes "Al Milgrom: Last of the Red Hot Programmers," a documentary homage to the exhaustingly inexhaustible festival founder. (The "Showcase," sponsored by IFP/North, screens at Bell Auditorium on Friday at 7:00 p.m.) For 20 minutes (roughly the length of Milgrom's average voice mail message), the film observes the man in action: tooling around town in his rusty Volvo station wagon, tacking up flyers, dealing with distributors, dressing down yet another U Film Society volunteer, and banging the ceremonial gong to kick off last year's fest. What makes Al run? you ask. No doubt entire volumes could be written on the subject, but here's the short answer: What makes him run is on view at Bell Auditorium and Oak Street Cinema through May 6.

—Rob Nelson

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More Arts Articles
  • Taking it All In (Apr 14, 1999)
  • Reeling In the Mpls./St. Paul International Film Festival Ninety-three films, three projectors, and the whole wide world (Apr 14, 1999)
  • Righting the Play A series of workshops at the Playwrights' Center strips the dramatic process down to author, script, actor, and audience (Apr 7, 1999)
  • Welcome to the Jungle The confounding cinema of Werner Herzog thrusts Western society into the wilds of its own mind (Mar 31, 1999)
  • Enter the Poet Thien-Bao Phi brings his cultural grievances and personal lamentations to the arena of competitive poetry (Mar 24, 1999)
  • He That Hath Ears to Hear As a playwright, singer, and adman, Craig Wright has played to many audiences. As a divinity student, though, he'll soon perform the mother of all scripts, chapter and verse. (Mar 17, 1999)
  • The Mason Jennings Line Between folk and punk, enigma and sensation, is 23-year-old singer-songwriter Mason Jennings (Mar 10, 1999)
  • The Life of the Party Start with $12,000, 20 teenage entrepreneurs, and a crowd of anywhere from 200 to 2,000. Let's see you throw a better party. (Mar 3, 1999)
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