To say that Hungry Horse have a casual approach to performing would be like noting that Gram Parsons never had a great handle on sobriety. A few months ago at the Turf Club, Kadidlo could be found singing and strumming his guitar with a sleepy affability, while lanky lead guitarist Craig Vanderah, back-up singer Ty Richardson, bassist Mark Rinke, and drummer Kenton Bergen followed without calling too much attention to themselves. If they weren't so tall--all Hungry Horse members are easily 6' 3"--you might not even notice the men behind those twangy guitars. "Our wives and girlfriends tell us that we need more stage presence," Kadidlo jokes. "But I like to err on the side of lowering expectations."
Still, because the band's name echoes that of Neil Young's group Crazy Horse, you get the feeling that their aspirations might be higher than they seem. "Hungry Horse is a real place in Montana," Kadidlo explains after a short kvetch about how many times he's answered this particular question. "I thought it was clever [as a reference to Young], not realizing that no one would get the Montana part." Somehow, it's fitting that they claim the name of this dry rancher town as their own. On Lost, Kadidlo's country themes are soaked in the Western backwater that might sound familiar to a Hungry Horse native--or to someone who is leaving that particular town. On "Going Down to Nashville," Kadidlo sings, "Left my suitcase in the street/Took the first road I saw that was not paved/I think I'll drift out west for a while/Take some time and learn to smile/Texas would make an awful pretty grave."
Meanwhile, "Funny at the Time," the album's highlight, tells a boys-only drinking story that reads like a boozy remembrance of late-adolescent high jinks, tempered with the wry remorse of middle-aged hindsight. Listening to the album's dusty sounds and lyrical wanderlust, you can't help recalling every little dirt-road community you pass by on the way down Highway 90, the wistful feeling you get when you stop for gas and find, just across the street, a tiny whitewashed bar encrusted with cattle skulls.
Maybe Kadidlo, with his advanced college education, his suburban house, and his good day job as a medical technician, has never jumped a train or owned a ranch in Montana. But somehow, from the way his songs search for something larger than the town they were written in, you suspect he's seen that same bar on a road trip out west.