| |||||
|
|
|
|||
|
|
||||
|
 |
|
 |
 |
|
|
 |
|
|
|
 |
 |
 |
||||||||
 |
BEST ART CINEMA University Film Society
These days the least bottom line-minded theater in town books enough essential exclusives (e.g., Gabbeh, Gummo) and multiplex run-offs (Jackie Brown, Kundun) to keep things interesting--and, one hopes, solvent. As persistent rumors of their impending death prove premature on a weekly basis, the benefits of their survival are evident nearly as often, and twice a year profoundly with their Mpls./St. Paul International and Lesbian, Gay, Bisexual & Transgender festivals, whose collective 100 features include mostly those queer and foreign titles that could not be seen otherwise. This year U Film's typically global winter-quarter repertoire--including the long-awaited Underground, the four-film "French Watch" series, and popular-demand revivals of Jerusalem and Guantanamera--has reiterated their need to maintain relationships with that small handful of distributors who aren't sleeping with the enemy.
««PREV
NEXT»»
|
|
 |
|
|||||||
|
|
|
Entire contents ©2005, City Pages Media, Inc. 401 North Third Street, Suite 550, Minneapolis, MN 55401 · (612) 375-1015 · All rights reserved. No part of this service may be reproduced in any form without the express written permission of City Pages, Inc. except that an individual may download and/or forward articles via e-mail to a reasonable number of recipients for personal, non-commercial purposes. CITY PAGES: Home | Online & Print Ad Info | Work at City Pages | Contact Us
|
|
 |
