Sarah Agnew is the very definition of "range." In the last year she lent Shavian barbs to the Guthrie's Major Barbara, then anchored the Blue Battleship's nicely realized premiere of Brian Friel's The Home Place with a light touch that underscored the work's conflicted take on Irish sovereignty. Most recently she appeared in the one-woman The Syringa Tree at the Jungle, a completely assured and accomplished evening that compelled her to play a little girl, her mother, and myriad members of an apartheid-era South African household. Surely someone so versatile has boatloads of craft to draw on; Agnew's trick is to always make her work seem freshly inspired.