Last year at Pillsbury House saw an impressive variety of shows that were consistently among the best in town. Kimberly Joy Morgan's Hot Comb was a smart and compelling take on the political and social ramifications of African American women's hair, and The Story was a fast-paced and concise regional premiere about politics, racial and otherwise, in the contemporary newsroom. In the fall, Stephen D'Ambrose starred in An Almost Holy Picture, a monologue by a former priest who recalls unspeakable tragedies as well as the daily struggles of his young daughter. With consistent quality and very nice choices of work to stage, the Pillsbury House always finds a place in our schedule.