You might not know his name, but his Spoonbridge and Cherry is one of the most iconic landmarks in the Twin Cities. The works featured in "Claes Oldenburg: The Sixties" were equally fanciful renderings of everyday items: squishy ice-cream cones, deflating toilets, and huggable French fries. The exhibition, which focused on pieces and projects from the 1960s and '70s, was whimsical, thought-provoking, and alive. There were the intentionally simple figures of "The Street," huge pieces that make up "The Home," and subversive mouse ears and masks. Many of Oldenburg's early projects involved performance art and gallery shows in nontraditional pop-up spaces, which is something that he and many Twin Cities artists today have in common.