Best of the Twin Cities®

Best Of 2014


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Best Of :: Arts & Entertainment

Best Cover Song

Leave it to the Cactus Blossoms to take a Beatles song back in time to before it was even written. Originally a John Lennon-led attempt at a Smokey Robinson-esque tear-jerker, "This Boy" was the 1963 b-side of "I Want to Hold Your Hand" and eventually ended up on Meet the Beatles! In the capable hands of Blossoms Page Berkum and Jack Torrey, the harmonies of "Boy" are refined and deepened for an even more melancholic result. It could've risen out of Nashville decades prior to the British Invasion, and it's hard to unhear the slow pedal steel whining in the background as they retell the tale of how "This boy wants you back again." The song thrives as part of the Minnesota Beatle Project Vol. 5, and it's a damn shame Lennon will never hear how well his vocal flourishes are put to use in a western music context.

Best Museum
Walker Art Center
Walker Art Center

The Walker Art Center is always up to something. In addition to its excellent permanent collection — which features work from Warhol, Jasper Johns, and Frank Gaard — each year the museum hosts a variety of amazing exhibitions. Recent offerings have included a mid-career retrospective of Jim Hodges's work, whimsical giant sculptures by Claes Oldenburg, and pieces by notable Mexican artist Abraham Cruzvillegas. The museum knows how to throw a party, too, as it continues to host the super-popular Internet Cat Film Festival as well as Rock the Garden, which has expanded to multiple evenings. Its recurring events, such as Walker After Hours and Free Thursday Nights, are always a smashing good time, and on the first Thursday of every month, guests can enjoy $5 small plates and drink specials prepared by guest chefs-in-residence at the museum's cafe, Gather.

1750 Hennepin Ave., Minneapolis, 55403
Best Museum Exhibition
Claes Oldenburg: The Sixties
Walker Art Center

You might not know his name, but his Spoonbridge and Cherry is one of the most iconic landmarks in the Twin Cities. The works featured in "Claes Oldenburg: The Sixties" were equally fanciful renderings of everyday items: squishy ice-cream cones, deflating toilets, and huggable French fries. The exhibition, which focused on pieces and projects from the 1960s and '70s, was whimsical, thought-provoking, and alive. There were the intentionally simple figures of "The Street," huge pieces that make up "The Home," and subversive mouse ears and masks. Many of Oldenburg's early projects involved performance art and gallery shows in nontraditional pop-up spaces, which is something that he and many Twin Cities artists today have in common.

1750 Hennepin Ave., Minneapolis, 55403
Best Art Gallery
Public Functionary

Since opening in April 2013, Public Functionary has hosted a delightful variety of art shows, parties, and social gatherings. The northeast Minneapolis space opened with a show from Dzine, an exhibition loaded with sparkling chandeliers, golden roosters, and sports trophies. Shows since then have included the neon food photography of Patrick Martinez, the calmly beautiful paper-and-light installations of Sougwen Chung, and a Halloween-themed jack-o'-lantern event. The space is pretty fab in between exhibition seasons as well. Most recently it hosted a series, titled Prelude, that showcased local visual artists, performers, and musicians in experimental pop-up events that were part art show, part cabaret, part experiential exploration.

1400 12th Ave. NE, Minneapolis, 55413
Best Local Cartoonist

Brittney Sabo's work has the uncanny effect of being strikingly familiar yet difficult to break down into its component parts. You might be able to pinpoint an influence or two — Disney characters gone jagged-edged, or the wispy lines of shoujo manga given an eerie weight — but there's also a gut-level feel to her comics and illustration work that scans like something more elusively resonant. It could be her work's brushes with paranormal subject matter: Her contributions to Altered Esthetics' Rock Ink Roll collection included both a supernatural vinyl LP seance on the cover and a pop-song ghost story inside; her webcomic All Night features spirits and creatures both threatening and benevolent; and her freelance illustration work regularly takes on the cast of the unreal and mysterious. As a penciller, inker, colorist, and writer, she's an auteur — and her work is visually charismatic in every respect.

Best Local Designer

There are plenty of local designers who bring their talent and hard work to the runway every season, but this year there was a standout at the fall iteration of MNfashion's the Shows. The Spring/Summer 2014 Lindsey Hopkins Collection simultaneously felt like the most high fashion and yet ready-to-wear (confidence, ladies!) line of the year. Working with the brightest white fabrics and the boldest florals, Hopkins crafted a collection that had a south-of-the-border flair while still being universally wearable, even in this sometimes-arctic tundra. The models took to the catwalk with bubblegum-pink and cotton candy locks, sprayed in place to perfection as they showed off Hopkins's handiwork. Mixing sheer whites with structured photoprints, flowers, and cutouts, Hopkins also used Christian iconography — Our Lady of Guadalupe — and placed the image front and center on daring pieces that verged on the subversive. This is the latest in the Georgia-raised designer's string of fashion hits since coming to the Twin Cities, and we hope she keeps it up.


Best Cover Song: The Cactus Blossoms, "This Boy"


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