Captain America: The First Avenger

Comic purists may be disappointed with the liberties

Created by Joe Simon and Jack Kirby for Marvel Comics in 1941, Captain America was among the first American comic books intended as an explicit work of patriotic, political propaganda. The cover of the first edition, available months before Pearl Harbor, famously featured the costumed hero punching out Adolf Hitler.

A nod to that classic beatdown has been worked into a retro-styled poster for Captain America: The First Avenger, but the film, directed by George Lucas protégé Joe Johnston (whose credits include Honey, I Shrunk the Kids and The Wolfman), seems concerned with a more timely fight: It's the latest, and last, Marvel Universe prequel to the superhero supergroup flick The Avengers, finally due out next spring after half a decade of build-up that encompassed two Iron Man films, two actors cast as Bruce Banner/the Incredible Hulk, and the establishment of the de riguer post-credit teaser scene. (Spoiler alert: Captain America doesn't have one).

The film concerns the transformation of one Steve Rogers (Chris Evans), "a 90-pound asthmatic" repeatedly declared unfit to fight in World War II, whose persistence impresses Dr. Abraham Erskine (Stanley Tucci, heavily vamping), a German scientist working for the U.S. military alongside billionaire inventor/future Iron Man progenitor Howard Stark (Dominic Cooper). Steve is soon chosen for a top-secret military experiment, for which he'll be injected with a serum that, as Colonel Tommy Lee Jones intones, will turn him from a weakling into "a new breed of super soldier" assigned to "personally escort Adolf Hitler to the gates of hell." Not that Hitler—or anything else ripped from real history or recognizable life—is really on the radar of this hokey, hacky, two-hour-plus exercise in franchise transition/price gouging, complete with utterly unnecessary post-converted 3-D.

From 90-pound weakling to Hitler's worst nightmare: Chris Evans
Paramount Pictures
From 90-pound weakling to Hitler's worst nightmare: Chris Evans

Shortly after Steve (who is played in both super-size and diminutive form by Evans via creepily uncanny head-replacement effects) emerges from the experiment as an enlarged, greased-up Ken doll, a spy kills Erskine. Without his champion, this human-engineered living weapon is relegated to what an opportunistic politician claims is the "most important battlefield of the war"—the media offensive. Touring the country fronting a live propaganda show designed to sell war bonds, Captain America becomes a folk hero for the people left at home. But on the frontlines, he's a joke. Then, with no apparent combat training but a roadshow-bred sense of showmanship, he mobilizes a rescue mission to liberate his best friend Bucky (Sebastian Stan) and incidentally frees 400 Allied soldiers for good measure. Steve gets some vague support (and the film gets a spark of much-needed swagger) from his ostensible love interest, Peggy (Hayley Atwell), a tough-broad British soldier who has some kind of role in the operation that's neither specified nor apparently anything that would muss her lipstick.

The lead villain here is Johann Schmidt (Hugo Weaving), a.k.a. the Red Skull, a Nazi whose obsession with the occult is a bit much even for Hitler to take. Having almost cheerfully "left humanity behind," Schmidt has assembled a splinter cult called HYDRA, through which he operates labor camps focused on harvesting energy from the Tesseract—a glowing cube thingy that Schmidt pillaged from Norway—and funneling that energy into weapons. It's never clear what this power force actually is, but somehow it's transferred to laser guns, which shoot streams of something or other to vaporize their victims on contact.

That putting such a corpse-obliterating weapon in the hands of everyday Nazi soldiers would have been something of a Holocaust game-changer is one of a number of potentially rich parallel-historical details that the film doesn't care to grapple with. Captain America assembles a ragtag multiethnic band of soldiers to help carry out his elite missions, but there's not so much as a single mention of the ideological divides that plagued the times—and subsequently spawned the original anti-Fascist Captain America comics. So what is Captain America fighting for? Apparently nothing more or less than screen time in The Avengers.

My Voice Nation Help

Yeah, uhm... there's totally both a credit cookie scene AND a teaser trailer for next Summer's Avengers movie at the end of Captain America. How you could have missed that I don't know. Since you did apparently miss it, it's available on YouTube. Also, did you not pay attention to the movie? Red Skull broke off from Hitler, having only used the Reich's power and wealth to get him so far. Cap was fighting Hydra, not Hitler.

Don't bother
Don't bother

Yet another awful Voice movie review where the author is too stupid to know the difference between a synopsis and a review.


Captain America actually does have a post credit clip. It's a clip from the Avengers coming out in May. Also, it does explain what the blue cube is. If you've seen Thor, it is the cube once possessed by Odin that is shown in both the main film for Thor and in the end credits clip. It is an energy source great enough to bridge the gap between worlds. Red Skull was harnessing this energy for weapons purposes. The reason they didn't focus on the Nazi ideology was because that wasn't what the fight with Red Skull was about. He did not hold to the Nazi ideology. He held to his own and in this movie, the conflict was between Captain America and Red Skull, not Captain America and Hitler. I thought it was an excellent film and I am incredibly excited for the Avengers to come out in May.


The Cube, is the Cosmic Cube. It is relic from Asgard, which btw is where Thor is from if you bothered to research any of the previous movies or thier characters. Also, the technique used to shrink Chris Evans down was by computer. There is an article I read on Yahoo that explained what was done. It was not head replacement on some scrawny actor. might be a good site for research on items like this. This isn't suppose to be some critical piece about the era. It is suppose to be entertaining. If it suceeds in that, good. if not, well word will get out and the movie will fail.

Do my comments scream geek? Sorry, I just did some story research. Maybe you should apply some basic High School book report techniques to learn your craft.

Take your film school/guthrie crowd vibe and keep with the critique for your drama's and other "classic" style films.


Now Showing

Find capsule reviews, showtimes & tickets for all films in town.

Powered By VOICE Places

Box Office

Scores provided by Rotten Tomatoes

Join My Voice Nation for free stuff, film info & more!