By Alleen Brown
By Maggie LaMaack
By CP Staff
By Jesse Marx
By Jesse Marx
By Maggie LaMaack
By Jake Rossen
Saturday, April 23, at 4 p.m.
The long reverberations of a tragic loss form the center of this locally made documentary. A young man decides to confront the circumstances surrounding his older brother's death nearly 20 years earlier by embarking on a road trip to reconnect his friends and family to talk about that night. In these recorded conversations between a sister, his mother, and his brother's long out-of-touch friends, he realizes exactly how much he needs to come to terms with the past. The journey is truly heartbreaking and affirming all at once; the difficult decision to continue with this kind of project definitely becomes the right choice. The film is as much about the interviewer as it is about its subject: a man coming to terms with his brother's perfections, his imperfections, and the lasting impact he made with everyone he met. —Andrew Newman
Dates: April 14-May 5
Location: St. Anthony Main Theatre, 115 Main St. SE, Minneapolis
Admission: $11 ($10 for seniors, $9 for students) Visit the MSPIFF website for prices on opening- or closing-night films and multiple-show packages.
More info: www.mspfilmfest.org
Monday, April 18, at 6:30 p.m.; free
Youthful idealism struggles against the reality of today's world in this locally made documentary, being shown at a free work-in-progress screening. Jacob is a mixed-media artist and body painter in his early 20s who decides to act on his dreams of opening a gallery/performance space/party scene in downtown Minneapolis. But this is no "ticket to fame and fortune" story—the first scenes of the film perfectly illustrate that. While Jacob's ideas are ambitious, they are worthy. The space is located, the team is assembled, and the planning begins. But then reality comes crashing in as it always does—catastrophically. The film is a compelling example of when dreams can and cannot be seized upon. The plans suffer a massive spiral downward, but the integrity of the artist's vision never comes into question. —Andrew Newman
Saturday, April 30, at 9:15 p.m.
Sunday, May 1, at 4 p.m.
It's easy to see why Fox Searchlight picked up the remake rights to Philip Cox's documentary. It may be a slice-of-life piece about a Kolkata-based private eye, Rajesh Ji, and his team at Always Detectives, but it is such a slice of life. This is a man driven by a deep passion, one that allows him to work long hours on seemingly impossible cases, deal with his clearly severely ill wife, and try to win a dance competition at the same time. It's the kind of character writers would love to have made up. The film takes up deep into the steamy streets of Kolkata, as Rajesh and his team investigate several cases, including a philandering husband, merchants selling fake products, and even a murder. The triple slaying is the most arresting part of the film, as clues and suppositions fly around the brutal murders of three young men. The families have been frustrated by the slow-moving official police (cases can take years to be investigated, and 70 percent of murders are never solved) and turn to the private detective for assistance. As this is a documentary, things don't turn out as they would in a crime novel, but the reality of Rajesh's life—and the bright approach he takes, no matter how dark his work or life get—propel it into something much deeper and satisfying. —Ed Huyck
Saturday, April 16, at 9 p.m.
Meet Anne and Amir, a mismatched couple who remain mismatched through the dull 90 minutes of Incredibly Small, a local production in which the story behind its creation—the microbudget feature was made over two weeks in Minneapolis—is far more interesting than what ends up on the screen. The two lovers have just moved into a grungy 300-square-foot Minneapolis apartment, where it quickly becomes clear that the little they have in common is only intensified at close quarters. The main problem is that our central characters, especially Emir, aren't all that interesting or likeable. Emir is locked in delayed adolescence, avoiding growth that might bring conflict and absolutely tone deaf to the needs and wants of his girlfriend. It's not that the relationship is unrealistic, it's just not interesting enough to carry a full-length feature film. At times, filmmaker Dean Peterson lays on the quirk far too much—Amir's dream is to become a sculptor and craft a visage of Charles Barkley—while other scenes are made up mainly of uncomfortable silences. Stephen Gurewitz and Susan Burke inhabit their characters well and have a terrific scene together at the film's end that makes up for some of what has gone before, but overall Peterson has not given them enough to make Incredibly Small worthwhile. —Ed Huyck
Tuesday, April 26, at 7 p.m.
The festival shows nearly a dozen short films made with Minnesota connections, including Man & Machine, a curious little tale of art and love. At first glance, directors Jesse Roesler and Jonathan Nowak have crafted a glimpse into the life of a European performance artist who plays music simply by moving around the instruments he plays. Then his partner is introduced. What first seemed to be a portrait of an artist becomes a portrait of a couple: two truly kindred spirits who unite in their sheer love for creation and for each other. While the sequences of the two manipulating their machines in studio and in performance are intriguing and unusual, it is their interactions elsewhere that become the heart of the film. Their connection to each other is clear from every word or look they share, and the people themselves become the focus—unusual and wonderful together. —Andrew Newman