By Jesse Marx
By Chris Parker
By Jake Rossen
By Jesse Marx
By Michelle LeBow
By Alleen Brown
By Maggie LaMaack
By CP Staff
"The cinema is not a slice of life but a piece of cake," Alfred Hitchcock once said, and if that's true—and who are we to dispute the master?—then summertime is when we gorge (unhealthily, most of the time, on ear-splitting smash-'em-ups and nerd-filled sex comedies). This year's summer movie season is sure to contain its share of brain goo—is that the march of angry robots we hear?—but there are more satisfying things on the menu, too. Gorging is good—it's the American way—but as we dive into the upcoming multiplex offerings, let's pledge to seek out the occasional rare delicacy. To help, we've narrowed down the season's gazillion releases, and what follows is our list of the best, most intriguing, and most promising films. (Except as noted, dates listed are for each film's national premiere. Limited-release movies will often open later in the Twin Cities.) Happy summer.
Food, Inc. (June 19 in the Twin Cities) Directed by Robert Kenner. Moviegoers aren't likely to rush to the supermarket after seeing this disturbing exposé of the under-regulated, profit-mad American food industry. It's time to plant that garden.
Whatever Works (June 19) Directed by Woody Allen. Allen returns to Manhattan after an extended European vacation and casts Larry David as a hypochondriac physicist whose spirits are lifted when he befriends and later weds a dippy 20-year-old (Evan Rachel Wood). The film is reportedly based on a script Allen wrote 30 years ago. Luckily, neuroticism is timeless.
$9.99 (June 19) Directed by Tatia Rosenthal. New York animator Rosenthal traveled to Australia to make this acclaimed stop-motion comedy concerning the peculiar adventures of the residents of an Aussie apartment building, including two boys who have spent $9.99 (and not a penny more) on a book that promises the secret to life.
The Hurt Locker (June 26) Directed by Kathryn Bigelow. Jeremy Renner, Anthony Mackie, and Guy Pearce go to war in this intense drama about a bomb-defusing unit stationed in Baghdad at the height of the Iraq War. Look for cameos by Ralph Fiennes and David Morse.
Quiet Chaos (June 26) Directed by Antonio Grimaldi. Nanni Moretti stars as an Italian film executive devastated by the death of his wife. Left to raise a 10-year-old daughter, the man finds himself unable to part from her and ends up spending his days in the park opposite her Rome school. Featuring Roman Polanski in a small role.
The Beaches of Agnès (July 1) Directed by Agnès Varda. The renowned French filmmaker Varda (Vagabond), now 80, continues her ongoing cinematic autobiography with this César Award-winning documentary. Using the world's beaches as both backdrop and metaphor, Varda recalls the important people of her life, including her late husband, filmmaker Jacques Demy, as well as rock star Jim Morrison.
Public Enemies (July 1) Directed by Michael Mann. Johnny Depp is 1930s bank robber extraordinaire John Dillinger; Christian Bale is FBI super-agent Melvin Purvis, hot on his trail, Tommy gun in hand. The director is Michael Mann (Miami Vice, Heat), who knows a thing or two about bad-guy/good-guy showdowns. Bullets will fly.
Tetro (July 3 in the Twin Cities) Directed by Francis Ford Coppola. In writing his first original screenplay since 1974's The Conversation, Coppola reportedly mined his own back-story for this tale of two brothers (Vincent Gallo and Alden Ehrenreich) trying to come to terms with their complex family history. Set in contemporary Buenos Aires, Tetro was filmed in black and white, a style Coppola last employed for 1983's Rumble Fish.
Brüno (July 10) Directed by Larry Charles. Sacha Baron Cohen jettisons Borat for Bruno, a gay, hot-pants-wearing Australian fashion reporter. Beyond that, words fail us.
Humpday (July 10) Directed by Lynn Shelton. It seemed like a fun idea at the time: Ben (Mark Duplass) and Andrew (Joshua Leonard), lifelong buds, get high at a party where they agree, in front of witnesses, to "do it" (with each other) for a sex-tape film festival. Their girlfriends are amused, and then...they're not.
Moon (July 10 in the Twin Cities) Directed by Duncan Jones. After three years alone on the moon, a spaceman of the near future (Sam Rockwell) begins hallucinating—and eventually wakes up to find that he's sharing the ship with an exact replica of...himself. This is the first feature for Jones, whose father (just so you know) is David Bowie.
Séraphine (July 10 in the Twin Cities) Directed by Martin Provost. Yolande Moreau stars as the French painter Seraphine Louis, who worked as a servant girl before her gift for painting was discovered in 1912. Provost tracks Seraphine's fast rise and heartbreaking fall in a film that won seven César Awards (the French Oscars), including Best Picture and Best Actress.
Soul Power (July 10) Directed by Jeffrey Levy-Hinte. In the days preceding Muhammad Ali and George Foreman's 1974 fight, musical giants such as James Brown, B.B. King, Bill Withers, and Celia Cruz gathered in Zaire for a three-day concert. Oscar winner Levy-Hinte (When We Were Kings) has restored a mountain of found footage of the concert and the chaos that surrounded it for this high-energy doc.