Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Minneapolis's most popular hot spots.
user content provided by: LikeMe.net & City Pages

National Features >

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Songs We Can't Escape

Share

  • rss

By Ray Cummings

Published on February 16, 2009 at 2:21pm

GUCCI MANE
"I'm So Fresh"

One of the unavoidable indignities endemic to free internet rap mixtapes is "station-identification" ad-lib bullshit; it slimes the rhymes and jacked beats like cheap spray paint. Mane's knuckleheaded Hotlanta rhymes make suffering this branding worth it, even abject foolishness like "My whole crew get money, you dig me?/I'm lyin' on them 28-inch Frisbees."

AXEMRANGERS
"Skullfucking with Pinky & Rex"

Oh, I know—sounds like an idea for a cable-access show doomed from jump—but actually it's just some kids' cassette tale buried in blistering noise. Underground careers have been built on less, of course.

LIL MAMA
"I'm a Diva"

A little over a year ago, Niatia Kirkland was a teen-rap novelty sensation best known for boasting about her lip gloss over hyper-minimalist beats. Today, she's just another aspiring, brand-name-dropping whore like all the rest, catwalking in stilettos over what sounds like Britney's "Radar": "I rock the finest clothes/I am the newest vogue/Check out my pose."

MILLIONAIRES
"Alcohol"

As if there weren't enough signs of the impending apocalypse everywhere these days, here's one more. Freshman sorority pledges lacking the perfect Spring Break soundtrack could do much worse than the Bling Bling Bling! EP.

SMASHING PUMPKINS
"F.O.L."

"Come on and feel alone/Come on and feel alooooooooone," Billy Corgan begs us, dispassionately, over souped-up guitar scraps. Because, you know, loneliness is throwing one's moldering songwriting might behind the resurrected caricature of a band that's past its prime. If I close my eyes and wish really hard, will this Hyundai commercial throwaway be reborn as a scratchy Nirvana demo circa 1989? Because that's the only way I'll ever force myself to listen to "F.O.L." again.