Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Recent Blog Posts

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

Wu-Tang Clan

Share

  • rss

By Ray Cummings

Published on December 06, 2008 at 3:25am

The title of this Staten Island, New York, collective's overambitious sophomore album would seem to say it all: Wu-Tang Forever. But given the group's unhappiness with the unusually mellow tone producer/MC/overlord RZA struck on 2007's 8 Diagrams, the personality void left following Ol' Dirty Bastard's 2004 passing, and a general lack of unity, it's tough to buy into any talk of eternal Wu brotherhood. Fact is, while every Wu member has solo irons in the fire, blustery bruiser Ghostface Killah's records stand head and shoulders above the rest, while Method Man seems to be at his best when rockin' the mic with non-Wu dude Redman. So while it's nice—in an Eagles sense—that these martial-arts-flick-addicted, alias-collecting roughnecks reunite to kick confusing, highly quotable rhymes and tour every now and again, there's an inevitable hollowness to these gestures that makes us wish Wu wasn't forever, you know? Could it be that it was all so simple then? Perhaps. But we're all living in the now. 18+.
Mon., Dec. 15, 8 p.m., 2008