Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Minneapolis's most popular hot spots.
user content provided by: LikeMe.net & City Pages

National Features >

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Songs We Can't Escape

Share

  • rss

By Ray Cummings

Published on November 17, 2008 at 4:54pm

NOUS NON PLUS
"Fantôme Dur (Tuff Ghost)"

Multinational concern best known for wanting to spend "One Night in Paris"—the Hilton heiress, not the French city, mind—cover a Unicorns favorite. In French. In a way that demonstrates that their pop sense is strong even as they add absolutely nothing to a happily daft tune about a brawny, no-nonsense, Casper-stomping ghost.

AQUARELLE
"Episódio 8"

This new track from local ambient-lete Ryan Potts is considerably busier and briefer than the fare he showcased on his 2006 Of Memory and Momentum CDR, trading sombulent drift for snatches of vocals buried beneath soft focus, pitch-shifting synth tones and fragmented scraps of guitar.

CARLOS GIFFONI
"Comfort and Pleasure"

More synth-drone navel-gazing from No Fun label head Giffoni, who's been amassing an increasingly spectacular body of work over the last couple of years (to say nothing of his collaborative efforts). Here, for almost 10 minutes, he posits a harsh, electric hair-clippers throb undercut by buzzing, intermittent synth blooms. It's itchy enough to make you wanna scratch all the skin off of your forearms—in a good way.

SUNROOF!
"Little Ornamental Lake of Death"

If Matthew Bower's good for nothing else, he's a whiz at exploring the more visceral possibilities of the electric guitar. "Lake" is an especially guttural bit of business, a spinning, broken pinwheel spewing haywire feedback like a slashed artery.

JUSTIN TIMBERLAKE
"Magic"

Justin breaks off a little Stargate-aping-Timbaland somethin'-somethin' for all the bi-curious gents, sissy boys, and drag queens still drooling over "SexyBack." Daring!