Most Popular

Recent Blog Posts

National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Grampall Jookabox

By Ray Cummings

Published on November 18, 2008 at 3:23am

Indianapolis's David Adamson seems like the kind of guy who has an awesome record—or at least mp3—collection. Ropechain, his latest album under the rather unfortunate nom-de-rock Grampall Jookabox, atom-smashes concepts and genres together into a post-nuclear house party. He segues easily from one savvy vocal impression to another—Prince, Korn's Jonathan Davis, Jimi Hendrix, even the late Brad Nowell, of stoner-ska outfit Sublime—confident in his ability to find homes for each and every one in the most unlikely of musical backdrops: R&B langour for "I Will Save Young Michael," skeletal funk for "The Girl Ain't Preggers," Negro spiritual-cum-folk for "I'm Absolutely Freaked Out." Anxious, inventive, and not beholden to any one path, Adamson's like Beck Hansen's slightly daft little brother—and that's no bad thing at all. With Murzik and Pale Young Gentlemen. 21+.
Fri., Nov. 21, 9 p.m., 2008