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  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Danny Saathoff: The Mechanical Alchemist

By Ben Palosaari

Published on November 19, 2008 at 3:23am

In the parlance of the art world, which seems to put a premium on stuffiness, Danny Saathoff's new show, "The Mechanical Alchemist," is a collection of "interactive assemblages." But don't let the terms fool you; the art is very anti-stuffy. You can think of the pieces as artistic Bop-Its. Remember Bop-Its? Those semi-annoying and sort of addictive electronic game things kids had in the late '90s that commanded the user to "pull it!" or "twist it!"? Or for those of you who predate the age of electronic toys, Saathoff's works are like visually striking busy boxes. They allow the curious viewer the chance to pull and spin and crank various parts of the pieces to understand how things are built and work. Saathoff made his assemblages out of layer upon layer of found objects. His projects integrate wheels, darts, balls, and blocks into pieces that free viewers from the shackles of proper art-gallery behavior and invite, nay, demand to be touched and engaged physically. Saathoff is the hero of hands-on art lovers.

Pictured: Danny Saathoff, Start to Finish, 2008


Nov. 8-Jan. 11, 2008