Recent Blog Posts
Fri Sep 19, 3:30 PM
Wed Jan 7, 1:32 PM
Wed Jan 7, 4:56 PM
Wed Jan 7, 2:30 PM
Thu Oct 30, 7:37 PM
Wed Jan 7, 12:56 PM
No related articles found
National Features >
Broward-Palm Beach New Times
How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.
By Deirdra Funcheon
Westword
In life and death, tattoo artist Kauri Tiyme made her mark.
By Alan Prendergast
Village Voice
Amy Neustein never could resist going public with her family dramas.
By Elizabeth Dwoskin
Houston Press
A visit with the hurricane victims that a country forgot.
By John Nova Lomax
The Rosebuds
Published on November 11, 2008 at 3:26am
Like so many other acts, the Rosebuds want to have their cake and eat it, too— they want to remain stern-browed, all the while barely stifling a chortle. The North Carolina-based duo of Kelly Crisp and Ivan Howard offer up formalist indie-rock numbers that present as thoroughly serious but dissolve, lyrically, into goofisms. (Take that, Fiery Furnaces!) Consider, for instance, "Cape Fear" from this year's Life Like (Merge): Structurally, it's got slacker love song written all over it. Dundering guitars recycle a simple hook, synths reiterate what the guitars are doing at key intervals, and Crisp drapes her voice over the whole shebang as though it's a shabby dorm couch. But wait—she's singing about a baby catfish she was supposed to feed but didn't. Instead, she freed it, it ate a man, and she'd really appreciate updates on the situation as it unfolds: "Holla at me!" Or their cover of "Push It," which bulges with irony by playing Salt-N-Pepa's old-school rap classic totally straight. With Megafaun. 21+.
Sun., Nov. 16, 8 p.m., 2008