Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Recent Blog Posts

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

Coldplay

Share

  • rss

By Ray Cummings

Published on November 11, 2008 at 3:29am

It's easy to despise Chris Martin. He's handsome. He's British. He's married to Gwyneth Paltrow. He fronts Coldplay, a milquetoast rock band that's somehow become a multimillion-selling behemoth. His constant self-effacement smacks of wanton disingenuousness; his quasi-political posturing suggests brand-polishing à la Wal-Mart's goodwill-securing charitable donations. But here's the thing: Coldplay actually make gloriously unobtrusive background music that's tough to actively hate. They're like soothing wallpaper, all surge and drift and interchangeable emotions; even the new, Brian Eno-produced Viva La Vida (Capitol) passes by every listen like a humid summer breeze, apparently dissolving from memory—until some future, random time when the strains of one tune or another resurface, driving you to mild distraction. Damn you, Coldplay, you purveyors of modernist pop pap!
Fri., Nov. 14, 7:30 p.m., 2008