Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Minneapolis's most popular hot spots.
user content provided by: LikeMe.net & City Pages

National Features >

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Mike Mictlan and Lazerbeak: Hand Over Fist

Share

  • rss

By Loren Green

Published on October 20, 2008 at 3:28pm

Fall is officially Doomtree season, with the majority of the collective releasing solo records over a three-month period. With Hand Over Fist, MC Mike Mictlan and producer extraordinaire Lazerbeak add another worthy piece to the Doomtree arsenal. While Mictlan is more self-referential and cocky than his crewmates, what separates DT from a lot of rap collectives is the pervasive team feeling, and even with the heavily biographic content on Hand Over Fist, a "we" attitude still permeates the album.

Much of the record is used to establish Mictlan's persona: namely, his relocation from L.A. to Minnesota and the cultural acclimation to the move. Predictably, this culminates with a reminiscent "L.A. Raiders Hat" and Midwest shout-outs like "Northstarrr." Mictlan seems to prefer lightning-speed, tongue-twisting raps but wisely uses them in moderation, including "Shux," which features guest P.O.S. trying to outpace his host. Hand Over Fist is a concise record, electing to vary the pace rather than stretch things out with skits and interludes.