Most Popular

Recent Blog Posts

National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

India: Public Places, Private Spaces

By Matthew Smith

Published on October 22, 2008 at 5:45am

When we think of art from India, most of us probably conjure images of Bollywood films or Hindu deities with four arms. This massive show of contemporary Indian photography and video art at MIA promises to be eye-opening, playing with some Indian traditions and stereotypes and exploding others. Twenty-eight of India's most prominent artists will exhibit more than 100 works—a new-media travelogue through the country's rich and complex culture. Several artists display large-scale documentary photos of modern Indian civilization, from the vibrant and often impoverished street life of the major cities to the living conditions of rural farmers. One of the highlights will be Navjot Altaf's wall-sized video installation Lacuna in Testimony. Superimposed over a mesmerizing background of ocean waves washing onto shore, a grid of constantly changing photos depicts fragmentary scenes from the Gujarat riots of 2002, all reflected in 72 mirrors laid out on the floor before it, creating an immersive experience that is at once beautiful and haunting.
Oct. 26-Jan. 18, 2008