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National Features >
Broward-Palm Beach New Times
How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.
By Deirdra Funcheon
Westword
In life and death, tattoo artist Kauri Tiyme made her mark.
By Alan Prendergast
Village Voice
Amy Neustein never could resist going public with her family dramas.
By Elizabeth Dwoskin
Houston Press
A visit with the hurricane victims that a country forgot.
By John Nova Lomax
Wire
Published on October 14, 2008 at 3:22am
In the wake of the lackluster Manscape and The First Letter in the early '90s, many had no doubt already prepared a mental epitaph for Wire. But that was before the explosive Read & Burn EP series and resulting album, Send, made the band not only relevant but vital once again. Those hoping for a continuation perhaps should have known better; throughout their 30-plus-year career, Wire have rarely been ones to dwell, and Object 47, the band's 11th studio album, continues their chameleonic tradition. The blunt, guitar-driven aggression of the early aughts has now given way to a percussive, synth-laden sound. It's tempting to interpret Object as something of a retreat, suggested not only by the more mannered musical approach but by the lead single's lyrical resignation as well ("Are you an also-ran, finished and inconsequential?"). But there's an intensity embedded in these songs that belies such facile readings. White flags, after all, hardly suit them. 18+.
Fri., Oct. 17, 8 p.m., 2008