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National Features >
SF Weekly
You won't believe the California wine industry's latest new-age craze.
By Joe Eskenazi
Westword
They lived for excitement, but the FBI got the final thrill.
By Joel Warner
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Chuck Bundrant built an unlikely seafood empire--with a little help from Alaska Senator Ted Stevens.
By Laura Onstot
Village Voice
How a benevolent billionaire mayor ended up owning us all.
By Wayne Barrett
archy and mehitabel, life in lower case
Published on September 30, 2008 at 3:22am
Open Eye Figure Theatre took home an entirely well-deserved Ivey Award last week for its A Prelude to Faust, the sort of obsessively smart and bawdy work long associated with Michael Sommers. Now it's time to get used to Open Eye as a producing venue and regular stop for avid theatergoers (and seekers of art and culture in general). The latest show in the warm confines by the freeway wall (go there, you'll see what I mean) is created and performed by Sarah Agnew and Jim Lichtscheidl, two talents that combine comic dexterity with ample stage presence. Inspired by the writings of early-20th-century newspaper columnist Don Marquis, this show combines live action with puppetry, poetry, and, one hopes, the intersection between the sublime, the ridiculous, and the byroads of dreamland.
Wednesdays-Saturdays, 7:30 p.m.; Sundays, 4 p.m. Starts: Oct. 3. Continues through Nov. 2, 2008