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  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Modern Marvels: Jewish Adventures in the Graphic Novel

By Jessica Armbruster

Published on July 03, 2008 at 3:21am

The graphic novel is still evolving. To some, the term is simply a fancy way of saying comic book, to others it implies transcendence from traditional comic tropes into some sort of uncharted graphic/literary hybrid. This summer, the "Modern Marvels" lecture series at Highland Park will explore Jewish artists' and writers' contributions to the increasingly visible art form. University of Minnesota Professor Judith Katz leads weekly discussions; the series kicked off last week. This Tuesday's talk will focus on Art Spiegelman's Pulitzer Prize-winning The Complete Maus: A Survivor's Tale. The graphic novel follows the author's struggle to recount the tale of his father and mother, flashing back to their youth and young adulthood during the rise of Nazi power and the Holocaust. Using anamorphic animals to represent race and religion, Spiegelman tells a hauntingly complex story, one that may at first appear simple. It's no wonder that Maus is showing up more regularly on schools' required reading lists. The series will also cover works by Harvey Pekar, Joann Sfar, and Ben Katchor.
Tue., July 8, 7 p.m., 2008