Most Popular

Recent Blog Posts

National Features >

  • Village Voice

    Musto Fabulous!

    Our gossip columnist and noted fashion plate serves up a year's worth of unforgettable images.

    By Michael Musto

  • Phoenix New Times

    Meet the Anti-Christ

    Omar Call makes a pastime out of baiting Christians.

    By Niki D'Andrea

  • Miami New Times

    Hog Huntin'

    Lost art or horrible slaughter? It's all in the eye of the slayer.

    By Natalie O'Neill

  • The Pitch

    A Miscreant's Christmas

    An ex-con's surprising blog celebrates a city's dark places.

    By Justin Kendall

Small Cities

By Andrea Swensson

Published on May 22, 2008 at 3:21am

There's only one problem with the Small Cities's debut EP: It's four tracks long. The self-recorded, self-titled disc plays like a dream, with intricate pop structures reminiscent of a more moody Shins or slightly less moody Kid Dakota. Even the wavers in drummer David Osborn's voice seem perfectly timed to express a particular emotion: On closing track "I'm Gone," a slow-burning, blistering kiss-off, Osborn's delivery on the line "There's a whole in my heart where you stand" is painstakingly sincere. "What to do with the space in the bed, and everything that went unsaid?" The band responds in turn with echoing harmonies and a hair-raising crescendo that falls off into silence—the silence at the end of a disc that is too short and leaves the listener clamoring for more. The Small Cities celebrate the release of their EP with Black-Eyed Snakes, Mighty Fairly, and Fitzgerald. 21+.
Fri., May 23, 9 p.m., 2008