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Get real: Is 3D a cure-all for an ailing film economy? DreamWorks says 3D helps "emotionally immerse" the audience
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Great Lakes surfers pay no mind to frigid temps CP goes to Duluth to see what kind of brave souls partake of winter boarding
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Dining prix fixe leads to the best deal, great meal Leaving decisions to the chef takes away the pressure
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Hell's Kitchen's new digs rouse damn-near demonic desires for brunch But be prepared to wait for it on the stairway to Hell
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Five signs the Minneapolis restaurant scene is growing The recession can bite it
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National Features >
Broward-Palm Beach New Times
The Agent from Iran
How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.
By Deirdra Funcheon
Westword
Murder By Design
In life and death, tattoo artist Kauri Tiyme made her mark.
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My Brother the Slumlord
Amy Neustein never could resist going public with her family dramas.
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Houston Press
The Ghosts of Galveston
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The Mars Volta
By Michael Gallucci
Published on April 17, 2008 at 3:20am
L.A. band the Mars Volta come to town on the heels of their fourth album, The Bedlam in Goliath, which is stuffed with nine-minute alt-prog epics—the type the band has refined to blood-drawing sharpness over the past seven years. We're not quite sure what singer Cedric Bixler-Zavala is going on about in songs like "Aberinkula" and "Ouroborous." And we have no idea what he means when he proclaims, "I am a deaf con of Angora goats." But we do know that the super-complex time signatures and hectic sonic twists that make up the 75-minute CD leave us totally dizzy.
Mon., April 21, 7 p.m., 2008
Mon., April 21, 7 p.m., 2008
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