Most Popular

National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

X

By Geoff Cannon

Published on March 20, 2008 at 3:20am

X are a band with a collective persona so perfect it's like they stepped out of a novel: There's the blank and scary name, the high-velocity romanticism built out of junk-shop rockabilly and left-coast hardcore. There's Exene and John Doe's mournful indifference to formal harmony, and the carefully sketched California gothic, all sun-baked twang and monochrome desperate glamour (see, they're easy to write about). Since the white-hot '80s, X's members have been involved in a number of variously roots-y projects, but they still gather intermittently to tour, and here they are, red in tooth and claw, at Minneapolis's crunchy Cabooze. It makes perfect sense: X helped reattach punk's severed limb back onto the corpus of American rock. And of course, for all the deadly gloominess, the beating heart of the initial run of X albums is love, married love: maddening, sustaining, enervating, enduring...for a while, anyway. With Skybombers.
Sat., March 22, 8 p.m., 2008